The Snowball Fight – A Music Composition Strategy
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The Snowball Fight – A Music Composition Strategy

A few weeks ago, I mentioned a music composition strategy I tried with my beginning instrumental music students called a “snowball fight.” It’s commonly used in academic classes, but was the perfect fit for music writing as well! Yes, I realize it’s the end of May and almost summer vacation, but this is a great…

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Student-Centered Performances

In a performance-based class it may seem challenging to empower students and create a learner-centered environment. Musical ensembles are director-let by nature. Shifting focus to the students is not impossible, but it requires an open mind and careful planning to make it happen! Here are four ways you can create student-centered ensembles and performances. Student Choice in…

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Connected Music Students: Skype With a Composer

I’ve written before about how I believe empowered music students should be connected. The word connect, as opposed to collaborate, is intentional. I agree that it’s important for students to collaborate; it is a skill necessary for the 21st-century. But too often people hear the word collaborate and assume that means just with peers. Students…

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Personalized Learning Tidbits

Last week I attended the Mid-Atlantic Conference on Personalized Learning (MACPL). As a member of the Personalized Learning Design Team in Arlington County, this was very exciting! Last year I wrote about my work with Personalized Learning in music a few times. While I haven’t written about it in a while, it’s still something I…

MIOSM for Empowered Music Students
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MIOSM for Empowered Music Students

This post got a much-needed update in March, 2023! Music in Our Schools Month (MIOSMĀ®) is a great time for educators to showcase the fantastic things happening within their music programs. Throughout March, music departments all over the country put extra effort into making music front and center in their districts. This year I’m going…

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Organizing Multiple Ensembles

Anyone who conducts multiple ensembles or prepares for multiple performances knows it can be challenging to keep track of every group. What was covered during rehearsal?  What sections need more work? When were run-throughs were executed? The list goes on. Personally, I teach four separate ensembles during the school week – 4th-grade band, 4th-grade orchestra,…

Singing in the Band Room: Adventures in Conversational Solfege
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Singing in the Band Room: Adventures in Conversational Solfege

Most band directors would agree that singing is an important part of instrumental music. Most band directors would also agree that this is easier said than done! It wasn’t until I began playing in collegiate ensembles that singing seemed like a natural (and effective) part of the band rehearsal. As a teacher, when asking my…

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Student Jobs in Music Classes

As I work to empower my students, this year I added student jobs in band and orchestra. At the beginning of the year, we talked about responsibility. Everyone has a responsibility to themselves and to the group. With the addition of jobs, students now get to fulfill specific roles during instrumental lessons and rehearsals to…